Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Birdtalker's music arises at the point where intimate exchange connects with community. Zack and Dani Green were a newly married couple when, one afternoon, the guitarist and singer asked his spouse for input on a song he was writing. Within hours, they realized that Dani's background as a student of literature and inherent talent as a harmonizer brought Zack's music to another level.

Southern friendship is all about porches. The craftsman cottages of East Nashville were designed for afternoon sweet tea and guitar picking with the perfume of whatever's on the smoker (these days, it's as likely to be tofu as hog) wafting by. Bars like Mickey's on Gallatin Pike have great porches, too — a famous local might come in for a cold beer and leave hours later in a new super group.

R.LUM.R is all about 'framily.' That's the word — a mix of friends and family — that Reggie Williams, who records under the all-caps moniker, uses to describe the tight network he's created as he has established himself as a star on the streaming pop charts. This is how pop artists rise in the South beyond the nerve center of Atlanta: They work together across genres and become masters of the internet.

Ashley Campbell's singing voice is sweet and a little sly, suggesting that she knows a listener might underestimate her and she's about to prove them foolish. There's no reason to low-ball the potential of a woman who has perfected the arts of both banjo picking and improv comedy, but Campbell is a young woman and the daughter of a famous man — two facts that, for artists, can lead to surface judgments.

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