Nate Chinen

The following text was originally published alongside the live web stream of the 2018 NEA Jazz Masters, which took place on April 16. A recording of the event can now be viewed by clicking on the video above.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Milford Graves and Jason Moran were listening hard at the Big Ears Festival on Friday evening, and in this they were far from alone. Their spontaneous musical dialogue, onstage at the elegant Bijou Theater in Knoxville, Tenn., suggested a merging of the ancient and the ultramodern, aglow with an ephemeral sort of grace. At one point, Moran's deep, mournful sonorities at the piano led Graves toward a murmuring hush at the drums, as if anything else would break the spell.

Terence Blanchard has always been drawn to a form of lyricism that runs burnished and bittersweet. You can track this mood throughout his career as a post-bop trumpeter, and no less in his dozens of film scores, in and beyond a long affiliation with Spike Lee.

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