Audie Cornish

Fifty years ago this August, Miles Davis assembled a group of musicians to record the sprawling, groundbreaking album Bitches Brew. With the sounds of Jimi Hendrix, Sly & the Family Stone and James Brown in his head, Davis plugged in and brought these electric rock sensibilities to jazz.

As young men, the sons of the Villalobos family in rural Veracruz, Mexico embarked on separate paths — at least, geographically. One by one, the three violin-playing brothers left their hometown of Xalapa to study classical music abroad. Ernesto, the oldest of the three, went to study at the Manhattan School of Music. Alberto, the middle brother, went to the Royal Conservatory of Brussels and finally Luis, the youngest, went to the Hochschule für Musik in Freiburg, Germany.

The Internet has become a place where we cultivate relationships. Through quick messages that we type with our thumbs on our phones, we keep in touch with friends and family; we flirt and fall in love.

And the potential for miscommunication abounds. Who among us hasn't wondered whether a message in ALL CAPS meant it was especially urgent? Furious? Or just enthusiastic?

The linguist Gretchen McCulloch aims to clear some things up with her new book, Because Internet: Understanding the New Rules of Language. The "new" rules, she says in an interview, are "emergent."

K.Flay kicked off her musical career with experimental rap mixtapes like Suburban Rap Queen. Since then, the singer has dabbled in different styles, but retained a biting, rough-around-the-edges sound. She's dropped such projects as I Stopped Caring in '96 and Life as a Dog and her Grammy-nominated 2017 track "Blood In The Cut" is a raging strutter.

Since it dropped in April, Lil Nas X's "Old Town Road" has been an inescapable hit. The song's massive blow-up is at least partially thanks to TikTok: the social media platform that launches viral stars 15 seconds at a time, and what writer Alyssa Bereznak called the "future of the music industry" in a recent article for The Ringer.

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