Lyndsey McKenna

As Taylor Swift settled in for her Tiny Desk, she looked out at the 300-plus NPR employees and guests. "Wow! This is a lot of people in a tiny office!" she said. "I love it!" Then, after introducing herself, she explained her objective: "I just decided to take this as an opportunity to show you guys how the songs sounded when I first wrote them."

Sleater-Kinney took a lot of chances on its latest album, The Center Won't Hold, upending its much beloved sound to experiment with strange sonics, dark textures and surprising forms. The result is one of the most adventurous, exciting – and best – albums the band has ever made. We open this week's New Music Friday with a look at how and why The Center Won't Hold works and what the recent departure of drummer Janet Weiss means for the band at this point in its quarter-century long career.

Taylor Swift - "ME!" (feat. Brendon Urie of Panic! At The Disco)
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Updated April 26 at 4:25 p.m. ET

Austin singer-songwriter Alejandro Rose-Garcia, aka Shakey Graves, began his Newport Folk Festival set by raising a little hell. Before beginning the incendiary "Word of Mouth," he explained: "I'm gonna kick this off with a waltz that I wrote years ago that has sadly become more and more relevant every year I play it. It's a song about not listening to people and listening to people at the same time."

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