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The Brooklyn rock band focuses on the quieter moments of its whirlwind phenomenon, Getting Killed, and, as a result, we get Geese in its purest form.
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In this new era of indie rock, yeule has become a leading voice. Their gauzy and sludgy songs are transformed at the Tiny Desk.
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Álvaro Lafuente's calming voice and steady rhythms feel like a lullaby with a fiesta tilt. At the Desk, the Spanish singer transports us to a club in Barcelona or a beach on Costa Brava.
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A trio of amazing young musicians, from ages nine to 18, give jaw-dropping performances that will bolster your faith in the future of great music making.
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The R&B singer transforms the Tiny Desk into his own version of a jazz club, reimaging songs in ways we've never heard before.
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As soon as Coco Jones stepped behind the Desk, donning a beautiful silver dress and a bright, warm smile, it was apparent that we were about to witness a star shine.
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An upright piano, a guitar and Daniel Caesar, lifted by a 12-piece choir. The presentation is simple, but the effect is transcendent.
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The bluegrass virtuoso brings back the spirit of Tiny Desk's early days: fewer microphones to capture "the way these instruments are meant to sound."
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The very first K-pop band to play behind the Tiny Desk gives us a decade-long, catalog-spanning medley.
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Breathless and expansive, Kris Davis' layered music is a mosaic of emotional expression.